Peculiarities of realization of the ne daigne concept in autobiographical triptychs of M. I. Tsvetaeva
Annotation
The article describes the poetological originality of M. I. Tsvetaeva’s personal motto ne daigne (I don’t condescend) as a leading concept in her prose, primarily based on the material of the so-called “triptych” (“Mother and Music”, “The Devil”, “My Pushkin”). At the same time, the connection of the concept with both other essays and critical articles, and with the lyrical heritage of the poet is noted. The systematic representation of the concept at different levels of the artistic whole is studied within the framework of potential implicit cyclization, which allows us to talk about the tendency of Tsvetaeva’s work towards super-textual unity. The latter is understood as a special type of non-traditional cyclization, actualized in a joint act of author-reader aesthetic activity. Particular attention is paid to the analysis of the thematic and figurative-motive levels of the “triptych”: the motives that form the semantic field of the concept are assessed as basic for the entire system of super-textual unity about creativity and fate.
Keywords
concept, motifs, imagery, cycle, essay, autobiography.
Literature
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This study was supported by grant No. 24–18–00636 from the Russian Science Foundation, https://rscf.ru/project/24–18–00636/; the Dostoevsky Russian Christian Humanitarian Academy